Slideshow Software Fotomagico 4 Review

If you are a photographer, professional or amateur this is software for you. Boinx Software has put out a very good stand alone slideshow creator. As a video professional this is a way for me to create a slideshow to slap together quickly. I prefer some bells and whistles and like to add effects and motion graphics to make it more compelling…but for presentations, weddings and events this is the software to use.

Some things I’d like to see added to Fotomagico for future updates…

  • Blur effect
  • Ability to crop photos and animate it
  • Masking ability

It’s a shortlist but when I use images in my video I use those three things often. Check out the video review below and under the video review is a great video tutorial produced by Boinx software about new features and in-depth look at Fotomagico 4. You can download and try out Fotomagico 4 for 5 days. But make sure you are running 10.8 in order to use it.

My Review

What’s New in Fotomagico 4

Tiffen DFX 3.0 Review/Tutorial

Tiffen, I know you have been in the film/video world for years and are well established too. But I had no idea about your sweet plugins for FCP.

Tiffen Dfx Video/Film Plug-in is a top of the line plug-in suite that incorporates filters and lenses that Tiffen is so well known for and infuses it into Final Cut Pro, After Effects, Premiere Pro and Avid. It is a complete plug-in suite that adds glass filters, specialized lenses, optical lab processes, film grain, exacting color correction, plus natural light and photographic effects.

One of the best features of this plug-in is the usability. The Dfx Interface allows you to preview the tons of presets each filter comes with. Within the Dfx Interface you can customize the parameters of a preset to make it yours while viewing it in real-time.

There are so many different film looks it is absolutely ridiculous…which is a great thing. In the past I never dabbled with different film stocks because of price and I didn’t shoot with a film camera. Now that everything is digital those looks are fresh to a new generation of video editors.

Some of my favorite filters from Tiffen Dfx are the Light filters. You can add lights, gobos and even flags to your video. I love the gobo, simply adding a gobo to an interview gives the interview a fresh look. I’m so glad to have this product in my effects library. It will turn good looking video into beautiful looking video…but let’s not kid ourselves. It is always important to shoot it right the first time, great lighting, lenses and composition will always keep you looking like a pro. Now Tiffen Dfx 3.0 will make you stand out in the crowded field of professionals.

Price
$599…yeah, that stings the purse a bit especially with FCP X out and about and this is not yet ready for FCP X. The price of these filters are more than the upgrade to FCP X, there is a reason for that…the effects are amazing. But ask questions and research before you buy any plug-ins set. Will they upgrade to allow you to use these with FCP X? I mean FCP 7 will eventually fade once Apple gets it right with FCP X. Until then, if you have FCP 7 check out these filters for FREE for 15 days and do a cool project and impress your client or wow the audience at a film festival.

Tiffen Dfx Video/Film Feature Highlights

  • 121 individual filters
  • Thousands of customizable presets
  • Simulation of Tiffen glass camera filters, specialized lenses, optical lab processes, film grain, exacting color correction as well as natural light and photographic effects
  • Rosco and GamColor Gel libraries
  • Rosco and Gam Gobo libraries for lighting effects
  • 8 or 16 bit image processing
  • Multi-processor acceleration

Tech Specs / Requirements

  • Adobe After Effects CS5 and up
  • Adobe Premiere Pro CS5 and up
  • Apple Final Cut Pro 6 and 7
  • Avid 64-bit systems, Media Composer®, and Symphonyâ„¢ v6.0 as well as NewsCutter® v10.0.

Windows:

  • Windows XP, Windows Vista, Windows 7
  • 1.0 GHz processor or faster
  • Intel or AMD processor
  • 1GB RAM (2 GB+ recommended)
  • 1GB available disk space for caching and temporary files
  • Open-GL capable graphics card
  • Display with 1280 x 1024 resolution or higher
  • Three-button mouse
  • Wacom Intous 3 and 4 support

Macintosh:

  • Mac® OS X 10.6.x – 10.7.x
  • Macintosh Multicore Intel® processor
  • 1GB RAM (2 GB+ recommended)
  • Wacom Intous 3 and 4 support

How Steve Jobs Impacted My Life

First, it is a shame that I had to wait until his passing in order to share how he changed my life. But that is the culture we live in.

When I was just a wee laddie my father purchased and brought home one of the first Macintosh computers. It was a strange looking machine and none of us knew how to use it. From there the Mac upgrades began to Apple IIe then the Apple IIc. All I can do on those computers was to create a simple program and used the term “run” to make things repeat themselves over and over on the computer screen. I dabbled in logo and never really got into it. That was until my brother gave me his Power Macintosh 9600 when he upgraded to a G3. I went off to school with that big clunker and it did me well for about 4 years until I bought an iMac DV+ (G3).

That was when Final Cut Pro came out and allowed all us little people the power to begin storytelling. I graduated from film school and couldn’t afford to purchase any equipment. The cheapest professional camcorders at that time were $50,000. Then Canon teamed with Apple to give us the power to tell stories. That was when I finished my first documentary. “Greensboro’s Child,” was a project I started in College and finished 3 years after graduating because I finally had editing equipment. It was self-produced and funded while I worked delivering pizzas in Greensboro, NC. It won a couple of awards and was shown in 5 film festivals. At the time that was all I could afford to submit to.

Steve Jobs also changed the marketplace forever. Big creative edit suites filled with broadcasting gear began downsizing and eventually going out of business because how affordable owning a editing suite became. Small businesses began purchasing equipment and hiring staff to run it. Eventually, that is where I ended up and worked at a small family owned business for four years while polishing up my skills. During that time I created this blog as a personal journal while learning the ins and outs of FCP. After I left that workplace I freelanced for two years and was able to keep afloat because of FCP.

Today, I am very fortunate to work where I do all because of Apple and Final Cut Pro. In the first five years of Final Cut Pro you would get laughed at if you told a production house that all of your editing was on FCP. Now it is embedded in almost every major TV station, advertising firm and motion picture house. The career I have I owe to the visionary of Steve Jobs and Apple. But the personal projects that I have been able to accomplish because of the computer and software is really what means the most to me. Telling Tim’s story about living with ALS has changed my life forever. I’m aware of everything that allowed me to be a part of that movement and by no means do I take any of it for granted.

Steve, one piece of your vision has sparked a revolution that changed the media game forever. For that I am truly grateful and appreciative of your leadership that gave me an opportunity to work and play in the field that I love. May you rest in peace and know that your ideas and dreams have inspired the world. My heart and sympathies are with your family and the Apple communities…you will be missed but never forgotten.

Sign the Final Cut Pro X – We Need It Better Petition

My dopamine is going crazy to convince me to purchase Final Cut Pro X…but my experience and lack of funds have won the battle for now. According to an online petition, Final Cut Pro X is missing some important features for professionals. Highlighted in the petition…

version X lacks at least 10 main features required by any professional who uses Final Cut on TV studios, Feature Film editing, Production and Post-Production houses.

  • Add ability to import and export XML files natively;
  • Add ability to import previous Final Cut Pro projects natively;
  • Add ability to export OMF files natively;
  • Add ability to change a project’s frame rate after it’s been created;
  • Add ability to read and write projects stored on an network or SAN volumes;
  • Add ability to switch the Final Cut Pro X layout to a more traditional 2-monitor setup;
  • Add ability to preview true video signal, independent from the 2-monitor setup;
  • Add support for Multicam editing;
  • Add support from capturing and recording to tape, not only via capture now but also via batch capture and print to tape natively;
  • Add support for importing image sequence files such as DPX and OpenEXR;

I can’t imagine why Apple would take out these features. Right now I have no proof because I refuse to buy it due to the fact I can do all my work on a fast and stable system. When I need to upgrade, I’m sure my clients will let me know. Not Apple.

What’s even more troubling is according to the Stark Insider, Apple is censoring negative reviews of their products.

Review: Scone Looks

If you purchased Final Cut Studio then you have Color installed on your computer and can use these useful presets right away and create better looking video instantly. If you use Color and understand the application then this purchase is a no brainer. It will give you so many instant fresh looks it is great. One of the great things about these presets is the fact if you make a change to it you can always save that version as your own preset and build to your library of presets. Now if you have never opened the application I suggest you purchase a couple of great training DVDs to learn Color better. Look into Complete Training for Apple Color from Class on Demand. After you understand Color better these Scone Looks will be just a click away from turning your regular video into something special.

SCONE LOOKSâ„¢ come with 400+ Color Grades, Primary Grades, Secondary Grades and ColorFx presets for use within Apple Color. These Looks work with progressive and interlaced footage. SCONE LOOKSâ„¢ can be modified and combined in endless ways to suit your specific footage and project needs.

There are so many applications to wrap your head around if you are an Independent video editor it is impossible to become a master at them all. If you get these Scone Looks you are one step closer to mastering Color from Apple. The best way to understand how Bob came up with the look is to deconstruct the preset…there are over 400 presets that you can learn from and build on to. Scone Looks is Now get to work my busy editors.

If you want to see another example of these incredible presets in action head over to Digital Juice and check out a great tutorial Introducing Scone Looks.

The one thing I’m confused about is the price. You can get it at Class on Demand (the official site) for $110 or over at Digital Juice for $55. You decide and I apologize to COD, just keeping it real yo! That a promotional deal that expired and was not taken down.

Review Class on Demand: Basic Training for Apple Color

colorI’ve only opened up Color once and that was when it came packed with Final Cut 6. Thanks to Class on Demand for doing a training DVD on Color. Before I watched this DVD I had no experience with Color and after training with the DVD I feel comfortable working with footage in Color. As the title says it is Basic Training and be glad. Color is an intimidating application when you first open it up. It doesn’t have the refreshing feeling of an Apple user interface. As the trainers say it is designed like a Unix interface and it takes some time getting used to. Once you get over your fears the trainers, Steve Hullfish and Bob Sliga, go through all the tabs and interfaces so we are now calm and ready to learn Color. I was psyched, I’ve done color correction on FCP’s color corrector and color corrector 3-way filter with good results, now to take that next step.

The Trainers
Steve Hullfish has written or co-written four books on editing and color correction, including “The Art and Technique of Color Correction” and “Color Correction for Video, 2nd Edition”. His editing credits span more than 20 years, including editing the Oprah Winfrey Show for which he won a Daytime Emmy. Other broadcast credits include “Investigative Reports” and “Cold Cases” with Bill Kurtis on A&E and numerous PBS documentaries. He runs his own production company – Verascope Pictures – and his clients include Universal Studios, NBC Television, Turner Broadcasting, HIT Entertainment, Jim Henson Entertainment and VeggieTales. He also writes a color correction and editing blog called CUT.N.COLOR at www.provideocoalition.com.

Bob Sliga, a professional colorist for 30 years, teaches color correction at Columbia College and DePaul University. Bob’s career spans both commecial and film projects, and he was the Director of Training for Silicon Color’s FinalTouch software. After Apple purchased Silicon Color, Bob was hired to be the lead QA for Apple’s Color application where he was instrumental in helping design the application and created all of the Color FX Room signature looks. Bob recently created Scone Looks™ (a collection of presets) for Apple Color.

As you can see the trainers have years of experience of working on Color Correction in the professional world and bring their expertise to us. Their expertise is top notch and sometimes a little to high brow that a few things fly over my head but luckily this is on a DVD-ROM so I can scroll back and listen to figure out what I missed. Here are the lessons that you will get out of the training.

LESSONS::

1. Introduction to Color

    1.1 Introduction
    1.2 Training Overview
    1.3 The Interface

2. Primary Color Correction

    2.1 The Primary Room: Part 1
    2.2 The Primary Room: Part 2
    2.3 Software Scopes Overview
    2.4 Tektronix Waveform Monitors and Rasterizers

3. Secondary Color Correction

    3.1 Secondary Room Overview
    3.2 Vignettes
    3.3 HSL Qualification
    3.4 Using Multiple Secondaries

4. The Other Color Rooms

    4.1 The ColorFX Room
    4.2 The Geometry Room
    4.3 The Primary Out Room
    4.4 Still Store
    4.5 The Setup Room
    4.6 Rendering

5. Interfacing with Final Cut Pro

6. The Color Suite: Beyond the Software

    6.1 Tangent Wave Panel
    6.2 Color Hardware Considerations
    6.3 Room Setup and External Equipment
    6.4 Datacolor Spyder Monitor Calibration
    6.5 Cine-tal Monitor Setup and Calibration
    6.6 Advanced Color Training

Color is an amazing application and this training DVD is the easiest way to learn Color. The trainers work with media and project files that come with the DVD-ROM so you can follow along…great idea, poor execution. I say poor execution because the training video never explains how to open the files that come with the DVD-ROM or explain that there are extra effects that you can add to your Color library. You have to find a .rtf located in the project media folder on the DVD-ROM. Another thing that is difficult for me and I’m sure a good percentage of editors is the fact that we are coloring with our mouses and do not have a professional device for it. They show off the Tangent Wave a sweet interface to color with greater efficiency and also color like a pro. Well, I do not have another $1,500 so I can color faster and I’m sure most Final Cut Pro editors are in the same boat.

Let me contradict myself and say that I’m glad that they introduced the Tangent Wave to me, but not happy that they trained with the Tangent Wave device. When you use a mouse in a training DVD you can see where the trainers are clicking and what parameters they are using. When they use the Tangent Wave device the parameters are not highlighted and you cannot tell how they are changing the color. It is really difficult to follow along that way but the trainers do their best explaining what they are doing while they are doing it. So you have to playback a few times to understand it.

Once you understand how to open the files to follow along everything is absolutely amazing. Color is a wow factor application, using layers you can safely experiment with your color grading without damaging a layer of corrected footage. The tips are great and subtle so pay attention and you will be color grading like the pros.

If you do not have a Tangent Wave, waveform monitors or have an additional video card like an AJA Kona Card the last lesson, The Color Suite: Beyond the Software is pretty useless. But they do an awesome job explaining why you would need and how to configure the hardware to get the most out of the application.

There are some flaws with this training DVD but all in all I learned how to use Color and I will be going back to this DVD for reference and inspiration. Yes, inspiration. Watching these pros work is a treat in it’s own and you can see how they think about color correcting and that is the most valuable asset that you can take from this DVD. So if you have the hardware or if you don’t, you should pick up this great training DVD and begin to unlock how much more color control you have over your Color Corrector filter in Final Cut Pro.

Class on Demand: Advanced Training for Apple Color is priced right at $69. Class on Demand: Advanced Training for Apple Color will unlock more tricks and get deeper into using the application. That review is coming up shortly.

Now go and learn!

PHYX = Perfect Chroma Keyer Addition for Final Cut Pro

With the generous support of Noise Industries, PHYX Inc. has launched PHYX Keyer for FxFactory, which supports Apple Final Cut Studio, Apple Final Cut Express, and Adobe After Effects. Finally a plugin that rocks so well anyone will look good grabbing a key with this plugin. PHYX knocks it out of the park with this plugin. Not only do you get a great keyer but the additional filters takes a step further and makes it a necessity if you ever have pulled a key before.

It is so simple to use.


Keyer
First drop the keyer plugin and select the color you want to pull with the eye dropper tool and then increase the Yuv Threshold until you have the color keyed. Then increase the Yuv Smoothing until the color is smoothed out around the subject.
keyer

Despill
If you can’t get rid of the slight green halo around your subject grab the despill plugin from the PHYX effects folder and apply to the footage. If the color you pulled was green select green in the drop down menu from the Despill Method and adjust the Despill Amount unti the green halo around the subject is gone. Now you need to be careful of your subjects skin color doesn’t change too much from the Despill filter.

Lightwrap
I’m using a cloud generator behind my subject and I can add a small blur from the clouds around my subject with the Lightwrap filter. Drop the filter on the video file and in the filter under the background image grab an image that you would like to give a nice glow around your subject. With the clouds it makes a really nice glow and adds so much more to the key.

What took me 5 minutes, if that long, used to take me 20-45 minutes in Motion using many different filters and exporting footage. I could never remember the steps because there were so many. This filter is a dream and will help you key in a faster fashion. Don’t worry I won’t tell your clients, keep charging for your time.

Final Key

Other features that I’m looking forward to using…

DiffKeyer
Creates a matte based on difference between two images. For example, film an empty room (clean plate), then film the same room with actors present. DiffKeyer will create a matte of the actors, as if the actors were shot in front of a green or blue screen. This gives you the ability to effectively key without a green or blue screen. Here is a tutorial showing you how easy it is

Screencorrector
So let’s say you shoot on a big green screen and the lighting is not even on the green screen well this filter compares a clean plate, and a solid color (green or blue) and creates a perfect green or blue screen. Excellent for keying with, this processor corrects unevenly lit screens, removes tracking markers, and repairs other ‘garbage’ which makes keying difficult, tedious, and expensive. Tell your clients you can do it. Another tutorial showing you how easy it is.

Go purchase this plugin and enjoy it.